Funny Military Movie - Nothing disarms like laughter, even if those weapons are rocket launchers and nuclear missiles. A good film has the power to banish, if only for a moment, historical horrors such as World War II, Vietnam and the Cold War. As these 10 war movies prove, a good joke can penetrate any armor.
"Tropic Thunder" is a movie smart enough to know — and enjoy — how dumb it is in its mockery of Hollywood egos and excess. And it's successful enough to make a gag that can be as offensive as Robert Downey Jr. who plays a method actor. in Black face hilarious at the expense of those egos. A film crew is stationed in the middle of a jungle to shoot a guerilla-style Vietnam War film - except the actors accidentally become the characters they play when they fall into a drug bust, actually making a decent war film . But by far the film's greatest achievement is turning Tom Cruise into a fat, bald, rude studio executive. It is the most that he liked since "Jerry Maguire."
Funny Military Movie
Joseph Heller's masterpiece has lost none of its satirical fire since its publication in 1961, and director Mike Nichols borrowed much of that fire for his darkly comedic adaptation. Captain John Yossarian (Alan Arkin) is an Air Force B-52 bomber stationed in the Mediterranean during World War II who desperately wants to stop flying missions and avoid death, but cannot be certified insane to do so. Absurdist in tone with a modern, non-linear structure, the muddled logic and comic confusion of "Catch-22" captures much of the spirit of warfare.
Chinese Movie 'the Battle Of Lake Changjin' Turns The Painful History Of The Korean War Into A Glorious Victory · Global Voices
This Vietnam War comedy makes the most of Robin Williams' broad talent. Playing Adrian Cronauer, a radio DJ assigned to the Armed Forces Radio Service, Williams is freed to do what he does best, with funny and often improvised DJ sets full of irreverence and rock and roll. . But the film also showcases his unique skill, mixing that humor with genuine excitement. Williams was nominated for an Oscar for her performance (and won a Golden Globe).
As is often the case, David O. Russell ("Silver Linings Playbook," "American Hustle") was a better director before he started trying to win Oscars, and this early black comedy is one of his best . The Gulf War was at an end and the exhausted American forces. partying hard in their barracks in between cleaning up the loose ends of another messy military intervention, when a map discovered in an enemy bunker gives clues to a stash of stolen gold in Kuwait. It's a comedy-turned-war-film-turned-gold-heist-turned-drama that seamlessly blends all its disparate elements into a mess that breaks your heart at times.
Director Robert Altman is quoted as saying of his anti-war classic, "The film wasn't released, it escaped." "MASH" has the feel of something unwittingly unleashed on the world, a dark comedy that uses humor to combat the madness of war. Set in a field hospital of the Korean War, a place of unspeakable human suffering, the film focuses on profanity, nudity, sex and hijinks, a subversive approach to focus a critical eye on an institution as sacred as the US military. Such an approach is the norm now, but it was a bold one in the 70s.
Writer and director Billy Wilder returns to the dark glint in his eye and the kind words of a German prisoner of war camp. American prisoners in Stalag 17 keep their spirits up as best they can by getting drunk, Betty Grable and a glass spy trained in the Russian women's barracks. But it soon becomes clear that there is an informant among them, and all signs point to Sgt. Sefton (William Holden), a bold cynic who openly trades with the enemy for animal welfare. The blows hit hard as they landed, but there was no doubt that a man as passionate as Sefton could overcome his enemies.
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If you can't kill the Nazis with guns and bombs, sometimes it's best to kill them with comedy. A gutsy, controversial tactic, sure, but that's what makes this Ernst Lubitsch comedy about a troupe of actors in Nazi-occupied Poland so good. A married couple of actors (Jack Benny and Carole Lombard) struggle in a relationship while engaged in a resistance plot with Benny posing as a high-ranking Nazi officer. It's a funny ride and brave enough to make fun of the ridiculous ideologies of a deadly serious enemy.
Time corrected some errors. Upon its release in 1926, the best film of silent film star Buster Keaton's career captured the box office and the hearts of critics. It has since been recognized as his masterpiece and Keaton has been hailed as a master of the craft. He performed some of his most dangerous on-screen stunts ever as Johnnie Gray, a railroad engineer during the Civil War who must fight Union spies for his lover, Annabelle Lee, and the true love of his life, his locomotive—named after the General.
There are many levels on which Charlie Chaplin's anti-Nazi film is unique. Chaplin had long resisted technological advances that made silent films obsolete, continuing to release silent film masterpieces well into the 1930s, and "The Great Dictator" marked his first real engagement with figures of speech. But what is most surprising is her courage. Released before America entered World War II, Chaplin played a Jewish barber and Hynkel, the Hitlerian, fascist ruler of the fictional Tomania whom Chaplin destroyed with laughter and sarcasm. The two performances culminated in the silent film star, who as Hitler looked around the world, gave one of the most memorable film speeches, an advertisement for lost humanity and a plea for a declaration calling the work of " machines with machine minds and machine hearts.."
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Stanley Kubrick set aside the horror of mutually assured nuclear annihilation — covered in the same film of the same year, "Fail-Safe" — in favor of focusing on its absurdity. A mad general sparks World War II by ordering a first strike on the Soviet Union, leaving world leaders scrambling to avert the inevitable. Slim Pickens yee-hawing behind a forgotten bomb is a brilliant joke that has become more relevant over the years.
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